hese entries should not include summary of the film you chose to watch

2 separate 3 page papers with an additional works cited page including 5 sources in total (at least 2 of the given).

1. 12 font; Times new roman; double spaced

These entries should not include summary of the film you chose to watch, but should examine your film’s relations to the theorist you choose, to our examination of theoretical ideas and insights we outline in general, and/or to the assigned readings. They should also include close attention to the film’s specific formal and stylistic elements; that is, some of the following: mise-en-scene, screenplay, acting, setting, costume, lighting, editing, genre, sound, color and how those interact with, exemplify, or complicate your interpretation of the film and theorist’s(s’) work. These entries should be short and sweet.
The following are film choices for each paper :

1. Theory in Action Paper 3—Jameson, , Žižek, or Williams
   •   Stella Dallas (King Vidor, 1937)
   •   Suspiria (Dario Argento, 1977)
   •   Blade Runner (Ridley Scott, 1982)
   •   Blue Velvet (David Lynch, 1986)
   •   Terminator 2: Judgement Day (James Cameron, 1991)
2. Theory in Action Paper 4—Sobchack, Chion, Deleuze
   •   Klute (Alan J. Pakula, 1971)
   •   Blow Out (Brian De Palma, 1981)
   •   Donnie Darko (Richard Kelly, 2001)
   •   Martyrs (Pascal Laugier, 2008)
   •   Arrival (Denis Villeneuve, 2016)

   Sources for paper are below including  course text book